CONTACT US: Contact info
|
Citation |
Cavender G, Deutsch SK. Crime Media Culture 2007; 3(1): 67-81. |
|
Copyright |
(Copyright © 2007, SAGE Publishing) |
|
DOI |
|
PMID |
unavailable |
|
Abstract |
Since it first aired in 2000, CSI has consistently been among the top-rated television programs in the United States. In this article, we analyze CSI's debut season and also include observations about the program today as well as its two spin-offs: CSI: NY and CSI: Miami. We are interested in the cultural meanings conveyed in this very popular forensic crime drama, especially in terms of the moral authority of the police and of science. We consider how CSI uses the conventions of the crime genre to assert the police as a moral authority. We also demonstrate how CSI portrays a sense of forensic realism, and, in so doing, asserts the veracity of science. We conclude with a discussion of what these meanings suggest about the legitimacy of policing and of science. Do the CSI shows decrease crime because the potential criminal has an increased fear of being caught and convicted? |