@article{ref1,
title="Dead Man Still Walking",
journal="Journal of popular film and television",
year="2009",
author="Bishop, Kyle",
volume="37",
number="1",
pages="16-25",
abstract="Since the terrorist attacks of September 11, 2001, zombie movies have become more popular than ever, with multiple remakes, parodies, and sequels. This renaissance of the subgenre reveals a connection between zombie cinema and post-9/11 cultural consciousness. Horror films function as barometers of society's anxieties, and zombie movies represent the inescapable realities of unnatural death while presenting a grim view of the modern apocalypse through scenes of deserted streets, piles of corpses, and gangs of vigilantes—images that have become increasingly common and can shock and terrify a population that has become numb to other horror subgenres.<p />",
language="",
issn="0195-6051",
doi="10.3200/JPFT.37.1.16-25",
url="http://dx.doi.org/10.3200/JPFT.37.1.16-25"
}