
@article{ref1,
title="&quot;Nothing sacred&quot;: violence, time and meaning in the cinema of possibilities",
journal="Religions (Basel)",
year="2017",
author="Girgus, Sam B.",
volume="8",
number="12",
pages="e275-e275",
abstract="Hemingway's disenchantment with the idea of the sacred as expressed in A Farewell to Arms became a defining aspect of the modern experience including in some Hollywood films such as Nothing Sacred and Twentieth Century. An attempt for a return to the sacred can be found in the philosophies of such figures as Levinas and Kristeva, among others. Cinema can help in this movement to a return to the sacred through film's ability to manipulate time.<p /><p>Language: en</p>",
language="en",
issn="2077-1444",
doi="10.3390/rel8120275",
url="http://dx.doi.org/10.3390/rel8120275"
}