@article{ref1,
title="Surviving anew: Chuck Palahniuk's Survivor and the disaster genre",
journal="Word and Text",
year="2014",
author="Yazicioǧlu, S.",
volume="4",
number="1",
pages="40-52",
abstract="This article analyses Chuck Palahniuk's Survivor as an example of transgressive fiction, with a special emphasis on the author's style and method of rewriting and violating the conventions of the disaster narrative. As a transgressive novel, Survivor not only mirrors and comments on the social change of its time, but also betrays a specific literary subversion that moves it beyond the postmodern by its dialogue with American literary minimalism as well as popular culture. The novel is a first-person narration of Tender Branson, who is a suicide cult survivor, a servant, a pro-suicide advisor, a religious media celebrity, and a hijacker. Through the subversion of the disaster genre, Survivor emphasizes the perpetuity of the crisis, and presents storytelling as the final act of survival from the commodification of his life.<p /><p>Language: en</p>",
language="en",
issn="2069-9271",
doi="",
url="http://dx.doi.org/"
}