
@article{ref1,
title="Ángel Ganivet (1865-1898) before the critic: The suicide of the writer as a negation of the &quot;death of the author&quot;",
journal="Revista Canadiense de Estudios Hispanicos",
year="2018",
author="Álvarez-Castro, L.",
volume="42",
number="2",
pages="225-248",
abstract="The critical reception of Angel Ganivet's works allows for an understanding of authorial suicide as a cancellation of the &quot;intentional fallacy&quot; denounced by the New Criticism as well as a problematization of the &quot;death of the author&quot; proposed by Roland Barthes. In Ganivet's case (similarly to other suicidal writers), voluntary death situates the so-called real author - reduced to a discursive construction that rivals his own writings - at the very center of the critical analysis, at the same time that his works - considered as frustrated or incomplete - in some sense become author-less and, therefore, particularly susceptible to interpretive manipulation. © 2018 Revista Canadiense de Estudios Hispanicos. All rights reserved.<p /><p>Language: es</p>",
language="es",
issn="0384-8167",
doi="10.18192/rceh.v42i2.3113",
url="http://dx.doi.org/10.18192/rceh.v42i2.3113"
}