TY - JOUR PY - 2010// TI - Modernity and the Holocaust, or, Listening to Eurydice JO - Theory, culture and society A1 - Hell, Julia SP - 125 EP - 154 VL - 27 IS - 6 N2 - In this article, I offer a literary-critical reading of Modernity and the Holocaust, arguing that Bauman’s non-Hobbesian ethics is linked to a form of Orphic authorship. I contextualize this reading with a study of three literary authors: W.G. Sebald, Peter Weiss and Janina Bauman, and their respective versions of this post-Holocaust authorship. At stake is the drama of the forbidden gaze, the moment when Orpheus turns to look at Eurydice, killing her a second time. Using Levinas’ ethics and his scenario of recognition, Bauman re-writes this fateful gaze as a loving gaze, implicitly proposing a counter-model to the Schmittian gaze — always ready to recognize the enemy, always ready to kill.
LA - SN - 0263-2764 UR - http://dx.doi.org/10.1177/0263276410382026 ID - ref1 ER -