TY - JOUR PY - 2018// TI - Gendered viewing strategies: a critique of Holocaust-related films that eroticize, monsterize and fetishize the female body JO - Holocaust studies A1 - Banwell, Stacy A1 - Fiddler, Michael SP - 150 EP - 171 VL - 24 IS - 2 N2 - This piece unpacks how Holocaust-related films - ranging from Nazisploitation cinema (Love Camp 7, 1968; Ilsa: She Wolf of the SS, 1975) through to 'art house' (The Night Porter, 1974) and mainstream representations (Schindler's List, 1994) - eroticize Nazi atrocities and violence against women. Following on from Caldwell's analysis of gender 'realness' we argue that there has been a tendency for such films to present masculinity as the dominant power-simulacra. Using Schweickart's (1986) androcentric reading strategy and Mulvey's (1992) scopophilic male gaze, we ask whether gender hierarchies and inequalities are reproduced in these cinematic representations.
Language: en
LA - en SN - 1750-4902 UR - http://dx.doi.org/10.1080/17504902.2017.1383021 ID - ref1 ER -