TY - JOUR PY - 2017// TI - "Nothing sacred": violence, time and meaning in the cinema of possibilities JO - Religions (Basel) A1 - Girgus, Sam B. SP - e275 EP - e275 VL - 8 IS - 12 N2 - Hemingway's disenchantment with the idea of the sacred as expressed in A Farewell to Arms became a defining aspect of the modern experience including in some Hollywood films such as Nothing Sacred and Twentieth Century. An attempt for a return to the sacred can be found in the philosophies of such figures as Levinas and Kristeva, among others. Cinema can help in this movement to a return to the sacred through film's ability to manipulate time.
Language: en
LA - en SN - 2077-1444 UR - http://dx.doi.org/10.3390/rel8120275 ID - ref1 ER -