Article Title,Year,Volume,Issue,Page Range,Author
For whom the eye cries: memory monumentality and the ontologies of violence in peru,2009,18,1,15-32,Drinot
The political violence of the 1970s in recent Argentine cinema: strategies for the reaffectivisation of the past in Rojo (Benjamín Naishtat 2018),2022,31,3,411-433,Piedras