Article Title,Year,Volume,Issue,Page Range,Author
Performing Punk: Bad Brains and the Construction of Identity,2009,21,4,411-426,Maskell
It Ain't All About the Benjamins: Summit on Social Responsibility in the Hip‐Hop Industry,2001,13,1,117-123,Forman
“Ev'rybody's Crazy 'Bout the Doggone Blues”: Creating the Country Blues in the Early Twentieth Century,2007,19,2,179-214,Monod
“I Need You to Pin Me Down”: Repetition Redundancy and S/M as a Metaphor in One Eurythmics Song,2007,19,3,259-273,Rodger
“Long Time I Trabble on de Way”: Stephen Foster's Conversion Narrative,2008,20,2,150-165,Lightweis‐Goff
“My Pen Rides the Paper”: Hip‐Hop the Technology of Writing and Nas's Illmatic,2008,20,3,261-275,Chia‐Hui Preston
“Thought I Had Your Heart Forever” or the Modernity of Early Country Music,2008,20,3,211-239,Comentale
“What Chew Know About Down the Hill?”: Baltimore Club Music Subgenre Crossover and the New Subcultural Capital of Race and Space,2007,19,4,311-341,Devereaux
“Workin' Hard Hardly Workin'/Hey Man You Know Me”: Tom Waits Sound and the Theatrics of Masculinity,2007,19,1,26-58,Solis
A resonant rum for the ears: Afro‐Cuban music,2008,20,1,79-91,West‐Durán
In Excess? Body Genres “Bad” Music and the Judgment of Audiences,2008,20,3,240-260,Meier
Newly Imagined Audiences: Folkways' Gay and Lesbian Records,2008,20,2,129-149,Boucher
Roundtable: VH1's (White) Rapper Show: Intrusions Sightlines and Authority,2008,20,1,44-78,Gaunt
There's a Reckoning on the Edge of Town: Bruce Springsteen's Darkness on The River,2008,20,2,109-128,Smith
Voices in the Minority: Race Gender Sexuality and the Asian American in Popular Music,2007,19,3,221-238,Castro
"A Complete Loser": Masculinity and its Discontents in Elvis Costello'sMy Aim is True and This Year's Model,2009,21,2,192-212,McCombe