Citation

Rentschler CA. Space Cult. 2011; 14(3): 310-329.

Copyright

(Copyright © 2011, SAGE Publishing)

DOI

10.1177/1206331211412245

PMID

unavailable

Abstract

This article analyzes how news photographs and textual accounts of the 1964 Kitty Genovese murder and its 38 witnesses formulated the problem of crime in the city as one of failed witnessing in urban conditions. It analyzes the press images of Austin Street in Kew Gardens and a police portrait of the victim as facialized surfaces that journalists and editors used to interpret the failure of witnesses who were said to have watched or heard Winston Moseley's assaults on Genovese. In years since, the number of witnesses has been called into question, as has the claim that Genovese's neighbors did not call the police or offer direct assistance. In reviewing a case made famous through the construction of its 38 witnesses, the author shows how crime scene photography and victim portraiture played their part in conjuring the witnesses and their presumed inaction. Through these representations, this famous story of failed witnessing created an urban physiognomy of the Genovese murder whose truths lie not in the veracity of the witnesses themselves but in the ability of news and police photography to spectate the crime scene and murder victim for readers.