Citation

Kennedy L. Publ. Cult. 2012; 24(2-67): 261-281.

Copyright

(Copyright © 2012, Duke University Press)

DOI

10.1215/08992363-1535498

PMID

unavailable

Abstract

As perpetual wars of terror and securitization dislocate relations between domestic and foreign affairs, visual news media are shaping perceptions of the forms of violence--shock and awe, collateral damage--that attend these wars. This essay considers the role that photography is playing in relation to the emergent visual repertoires of perpetual war.

Language: en