Citation

Knuts S, Delheye P. Eur. Rev. Hist. 2014; 21(3): 379-404.

Copyright

(Copyright © 2014, Carfax Pub. Co.)

DOI

10.1080/13507486.2014.908273

PMID

unavailable

Abstract

From the 1860s onwards, the new sport of bicycle racing engendered transnational flows of ideas, practices and performers. However, national actors and sensitivities always remained present. In interaction with these transnational flows they shaped national identity in this sport, as the Belgian case shows. Belgium was a site of cross-border interaction for racing from early on. Nevertheless, actors like the Belgian cycling press or national cycling union also continuously tried to construct a 'national' racing culture. French and British influences were especially crucial here, as Belgian actors were continuously torn between both in determining their position in the amateur-professional question or in the International Cycling Association. France and Britain thus functioned as 'significant others' in the shaping of 'national' Belgian racing, a process often complicated by the transnational activities of other, commercially motivated actors like cycling tracks or racers themselves. In competition, too, the discourses of the Belgian press on racers Hubert Houben and Robert Protin celebrated their 'small nation' and its success against and differences from its bigger neighbours. The Belgian orientation on French racing eventually became dominant, and proved to be crucial to the resurrection of the sport in Belgium after a period of crisis around 1900.

Language: en