Citation

Phillips ND, Strobl S. Crime Media Culture 2006; 2(3): 304-331.

Copyright

(Copyright © 2006, SAGE Publishing)

DOI

10.1177/1741659006069573

PMID

unavailable

Abstract

The current study utilizes a cultural criminological approach to examine paradigms of justice portrayed in American comic books. Based on a review of the literature, we hypothesize that the dominant crimes depicted in comic books are violent street crimes and that the portrayed responses to these crimes are executed outside the rule of law by an avenging protagonist. According to the literature surveyed, comic book protagonists seek to restore public order as a means of returning the community to a constructed, nostalgic ideal. Moreover, the implied policy message in comic books is one of vigilantism, in which moral justice trumps legitimate criminal procedure. Based on a content analysis of 20 contemporary best-selling comic books, themes of organized crime, often involving complex transnational networks, are more prevalent than street crimes, contrary to our hypothesis. However, the response to crime remains focused on vigilante methods and on the restoration of a constructed utopic community that espouses the rule of law.

Language: en