Citation

Aultman JM, Piatt E, Piatt J. Humanit. Soc. Sci. Commun. 2020; 7(1): 1-11.

Copyright

(Copyright © 2020, Holtzbrinck Springer Nature Publishing Group)

DOI

10.1057/s41599-020-0525-1

PMID

unavailable

Abstract

Film emphasizes an ironic history of racism in gun control and ownership and a justification for seeking justice among the Black community, but film also perpetuates structural racism and bias, segregating Black from White, and failing to promote equality, solidarity, and progress. The gun is both a symbol of structural racism, and an expression through which critical attitudes and political statements can carry greater meaning and lead to positive action, empowerment, and desegregation. The symbolic meaning of guns in the hands of Blacks as violent, exceptional or some other stereotypical character trope is illustrated using three selected films including: Django Unchained, John Q., and Proud Mary. This paper is divided into three acts: Act I: The gun as symbol of structural racism in film; Act II: Stereotypical characters and their guns; Act III: Desegregation of the gun in film. These sections illustrate the meaning and representation of the gun as a theatrical object in film, and when in the hands of stereotypical character tropes, has perpetuated racist beliefs and attitudes that have not been adequately addressed in the film industry. To desegregate the gun in film, filmmakers need to critically examine the overt and hidden film texts and how the gun, and the characters wielding it, are perceived among audiences.

Language: en

Keywords

Cultural and media studies; Ethics