Citation

Zhang Y, Gao SH. Zhonghua Yi Shi Za Zhi 2022; 52(6): 323-327.

Copyright

(Copyright © 2022, Zhonghua yi xue hui)

DOI

10.3760/cma.j.cn112155-20210701-00083

PMID

36624671

Abstract

The ideology of Chinese traditional five-tone music therapy started in the five-tone music practice for witch medicine (Wu Yi) or Shaman medicine (Sa Man Yi Xue) treatment in the primitive period. It came from the five-element thinking, i.e, wood, fire, earth, metal and water which matches each inner organ in the human body to diagnose the lesion of the five main organs in traditional Chinese medicine. The five-tone system diagnoses the lesion of the five inner organs based on the changes of the five tones Jue, Zheng, Gong, Shang and Yu, and the construction of the traditional Chinese medicine theories. It eventually formed in the Yellow Emperor's Internal Classic (Huang Di Nei Jing)during the Warring Period. Chinese traditional five-tone music therapy evolved and developed in each historical dynasty, and laid an ideological and theoretical foundation for contemporary Chinese traditional five-tone music therapy. It helped construct a music therapy as a traditional cultural treasure with unique Chinese cultural characteristics.

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中华传统五音疗法思想启蒙于原始时期的巫乐医疗实践活动，萌芽于五行思想、五音体系与中医理论生成之中，形成于战国时期的《黄帝内经》。中华传统五音疗法历经不同朝代的演化、发展，为传统五音疗法的现代传承、转化，奠定了思想理论基础，在当代世界音乐治疗史上形成了独具中华民族特色的音乐治疗文化现象。

Language: zh

Keywords

Humans; Male; *Music; *Medicine; *Music Therapy; Asian People; Medicine, Chinese Traditional